Bibliography: References and Appendix
/ Abstract
/ Introduction
/ Contextual Review
/ Attachments to Objects
/ Storytelling in Objects
/ Digitalisation of Collections
/ Methods Overview
/ Memory Objectification
/ Conclusion
/ Bibliography
Alsaleh A. (2024). The impact of technological advancement on culture and society. Scientific reports, 14(1), 32140. https://doi.org/10.1038/s41598-024-83995-z
Chanel. (n.d.). The history of the House of CHANEL . CHANEL. https://www.chanel.com/au/about-chanel/the-house-of-chanel/
Dudley, S. H., & Pearce, S. M. (2012). Narrating objects, collecting stories : essays in honour of professor Susan M. Pearce (1st ed.). Routledge. https://doi.org/10.4324/9780203120125
Jethani, S. (2026) New Analogue Materialities. [Subject 85844 Guest Lecture notes]. University of Technology Sydney.
Jones, G. V., & Martin, M. (2006). Primacy of memory linkage in choice among valued objects. Memory & Cognition, 34(8), 1587–1597. https://doi.org/10.3758/BF03195922
Legrady, G. (2001). Pocket Full of Memories [Interactive installation]. Centre Pompidou, Paris France. https://www.mat.ucsb.edu/g.legrady/glWeb/Projects/pfom/Pfom.html
Menjivar, M. (2012). You Are What You Eat [Photography series]. Mark Menjivar Portfolio. https://www.markmenjivar.com/untitled-gallery
Nagatsuka, K., & Manusov, V. (2024). Emotion, attachment, representation, and loss: a comparative study on what it means for objects to “spark joy.” Atlantic Journal of Communication, 32(2), 266–278. https://doi.org/10.1080/15456870.2022.2128355
Powerhouse Museum . (n.d). Powerhouse Collection - Blinky Bill and Nutsy dolls made by Anne Keane Dolls. Powerhouse.com.au. https://collection.powerhouse.com.au/object/166928
Powerhouse Museum. (2023). Powerhouse Collection - Chanel “No.5” perfume bottle. Powerhouse.com.au. https://collection.powerhouse.com.au/object/546893
Powerhouse Museum. (2019) [Digital photographic dataset of archival objects]. Powerhouse Museum Collection. https://collection.powerhouse.com.au/?objects%5BrefinementList%5D%5BaggregatedTerms.categories%5D%5B0%5D=Archives
Powerhouse Studio & Ridley, S. (n.d). Collection Digitisation. Powerhouse Museum. https://powerhouse.com.au/stories/digitisation
Sadokierski, Z. (2010). Book Review: LEANNE SHAPTON, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry. London: Bloomsbury, 2009. 144 pp., c. 400 b/w illus. ISBN: 978— 1—4088—0472—8. Visual Communication, 9(2), 245-249.
Schechtman, M. (2021). In a sentimental mood: memories as treasured objects. Acta scientiarum. Human and social sciences, 43(3), e61025. https://doi.org/10.4025/actascihumansoc.v43i3.61025
Shapton, L. (2009) Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris. Bloomsbury.
Stanley, M. (2024, August 30). The Story Behind Chanel No. 5: How it Became a Fashion Icon. My Perfume Shop. https://www.myperfumeshop.com.au/blogs/perfume/the-story-behind-chanel-no-5-how-it-became-a-fashion-icon?srsltid=AfmBOoodZ4pdByZZv_18hy-z7NWWsAqCMssHKXJSwcIkQwQEP1vs_qjM
Vo, D-N, N. (2021) Migrant Experiences – one perspective amongst many other authentic voices. [Unpublished Research Thesis]. Zoe Sadokierski, University of Technology Sydney.
Wong, M. (2021). Tracing After Lives. Mgnwong. https://mgnwong.com/Tracing-Afterlives-1
Woodford, C. (2025). Analog and digital technology - What’s the difference? Explain That Stuff. https://www.explainthatstuff.com/analog-and-digital.html
Figure 1
Powerhouse Museum Archival Collection
Source: Powerhouse Museum (2019)
https://collection.powerhouse.com.au
Figure 2
‘Blinky Bill’ Doll, 1985
Source: Powerhouse Museum
Acquisition Date: 1999
https://collection.powerhouse.com.au/object/166929
Figure 3
Chanel ‘No.5’ perfume bottle, 1921-1920
Source: Powerhouse Museum
Acquisition Date: 2009
https://collection.powerhouse.com.au/object/546893
Figure 4
Overview Map of Research Project
Illustrated by Author 2026
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